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        j3g,]ft"na,*         #cg
    ,! ,r1lism & ,m$ia 
,explora;n ,me?ods ( ,han 
,unsung

  ,*o ,eunjung
  ,mokpo ,na;nal ,univ]s;y1 
,s*ool ( ,>t `& ,design

  ,han ,unsung once describ$ 8
cr1tive process by say+1
8,pa9t+s t use exce$+ly 3crete
l9es1 surfaces1 & colors to
express a drive t _c 2 r5d]$
cle>ly 9 spok5 or writt5 ^ws >e1
9 my eyes1 ! result ( an 5d.s
process ( trial & ]ror4 444 ,x
is only :5 ! id1s tak+ place 9 !
m9d & ! te*nique ( ! h& rcvg !m
a*ieve "s bal.e on ! scales t a
pa9t+ p]=ms xs >ti/ic role40"9#a
,r1son1 emo;n1 ?"\1 & expres.n
>e c5tral ele;ts 9 all >ti/ic
activ;y1 b ! r1son t ! rem>ks
abv hold s* a special m1n+ 9
,han's body ( "w is t !y %[ 8
5tire oeuvre f ! #aifjs to #bjbe
to h be5 a j\rney 9 se>* ( a
p]fect bal.e 2t 8 [n id1s & 8
h&'s te*nique4 ,he has exp]i;t$
) div]se m$ia & te*niques1 v>y+
8 subjects e few ye>s1 & he has
reflect$ on & analyz$ 8 pa/ "ws
to r1* a po9t ( equilibrium t
%ifts f mo;t to mo;t ) ea* "w4

  "9#a ,han ,unsung1 8,>ti/'s
,notes3 ,two ,monu;ts10 ,,snu
,news1 ,m>* #ad1 #aihc4

  ,! g5]al view ( ,han is t he
is an >ti/ :o reject$ ! ab/rac;n
t repres5t$ ! prevail+ tr5d 9
,kor1n pa9t+ ( ! #aigjs1 *oos+
9/1d to use figura;n to pres5t a
p]spective critical ( po/-
9du/rial & capitali/ civiliza;n4
,yet :5 we look m cle>ly at
,han's >ti/ic process1 we r1lize
t x is di6icult to sep>ate
ab/rac;n f figura;n al;g b9>y
l9es4 ,examples rang+ f !
        j3g,]ft"na,*         #ci
hyp]r1li/ic depic;ns ( objects 9
8 ,c1 ,gate1 & ,knot s]ies to 8
r$uc;n ( photographs ( objects
9to silh\ettes 9 8 ,signal s]ies
& 8 pictorial >range;t (
illusory images 9 8 ,fruit
,collec;n s]ies illu/rate h[
9cisively ! >ti/ recognizes !
ab/ract aspects ( ! expressive
ele;ts he comm&s4 ,! approa* he
adopt$ 9 explor+ ! purpose &
me?ods ( pictorial expres.n :ile
5gag+ 9 bo? ab/ract & figurative
"w />t+ 9 8 "t z a ,se\l ,na;nal
,univ]s;y /ud5t pav$ ! way = 8
"w td : analyzes ! rela;n%ip 2t
r1l;y & illu.n "? ! transposi;n
( digital & analog images4
  ,an 9trigu+ ele;t "h is ,han's
approa* to photor1lism &
photographic pr9t te*niques4 ,!
>ti/ is well "kn = hav+ actively
/riv5 to %>e photor1lism )
,kor1n audi;es af 2+ pr(.dly
impact$ by x dur+ 8 ,,us /udies
9 ! #aigjs4"9#b ,yet despite :at
is (t5 2liev$1 ! 9flu;e ( ?
avant-g>de tr5d on ,han 0 n a "q
( hyp]r1li/ expressive te*niques
or l1n+s4 ,han has describ$ hav+
r1liz$ t photor1lism wd all[ hm
to use photographs z a mat]ial
or model = pa9t+4 ,!
photographic images t provid$ 8
objects 7 n m1ns ( repres5ta;n b
a di6]5t =m ( object t illu/rat$
! rela;n%ip 2t ! object's r1l;y
& xs repres5ta;n 9 pa9t+4 ,"? 8
use ( photographic pr9t
te*niques1 ,han 0 able to m
freely employ pictorial expres.n
9 ! pr9t m$ium & explore !
rela;n%ip 2t repres5ta;nal image
& ab/ract aes!tic ele;t4 ,:ile !
tradi;nal me?od ( draw+ directly
onto plates pos$ expressive
3/ra9ts 9 comp>ison ) pa9t+,-due
to ! ne$ to use mat]ials suit$
to ea* te*nique,-photographic
te*niques all[$ hm to ov]come ^!
limita;ns4"9#c ,9de$1 a look at
        j3g,]ft"na,*         #da
! photographic pr9t "w t ,han
2gan cr1t+ 9 #aihi %[s 8 free
comm& ( ! e6ects ( v>i\s me?ods1
rang+ f l9e draw+s ( v>i\s
mat]ial textures to color field
composi;ns & r1li/ic
photographic montages4 ,z ^!
di6]5t =ms ( expres.n >e
juxtapos$ or lay]$ on ! canvas1
:at /&s \ is less ! illusory
s5se ( ! image ?an xs mat]ial;y4

  "9#b ,han ,unsung1
8,photor1lism3 ,! ,new ,am]ican
,avant-,g>de10 ,*osun ,ilbo1
,augu/ #g1 #aigd4
  "9#c ,han ,unsung1
,photographic ,me?ods 9
,pr9tmak+ "<,m9i/ry ( ,culture &
,$uca;n ,academic ,rese>*1
#aihi">1 #a4

  ,on ! 5orm\s canvases (
,wolje;gni ,/a;n "<#aiif"> &
,f\r ,h1v5ly ,p1*es "<#bjjg">1
ea* m1sur+ ov] two met]s acr1
,han's te*ne provokes a s5se (
4ori5ta;n 2t objects1 _! images1
& ! pa9t]ly repres5ta;ns ( ^?
images4 ,9 ,wolje;gni ,/a;n1 he
pa9ts pixelat$ photographic
images pass$ "? a copi] by h& to
blur ! no;n ( orig9al & copy4 ,9
,f\r ,h1v5ly ,p1*es ! >ti/
m9imizes bru%/rokes to maximize
?ree-dim5.nal illu.n1 :ile
8naturally0 depict+ a lu/] t
seems z >tificial z a pla/ic
model4 ,^! monu;tal fruits,-
illu.ns ( illu.ns & images (
images,-delib]ately plunge
9att5tive view]s 9to 3fu.n :ile
rais+ d\bts )9 ! att5tive "os4
  ,:ile ,han ,unsung's body ( "w
has exhibit$ ongo+ trans=ma;n
ov] _m ye>s1 r1lism has rema9$ a
c]ta9 ele;t )9 x4 ,despite !
import.e & 9flu;e t ! 3cept (
r1lism has _h )9 >t hi/ory1 "!
has n"e be5 a bona fide 4cus.n (
x 9 ! hi/ory ( ,kor1n 3tempor>y
        j3g,]ft"na,*         #dc
>t4 ,9 a #bjah 3v]sa;n ) critic
,jang ,sohyun1 ,han >gu$ t !
f.da;n ( r1lism lay 9 an act (
8rev1l+0 t 0 ak9 to an 8eyewit;s
report40"9#d ,9de$1 8rev1l+0 has
be5 bo? an expressive me?od & a
!me = ! >ti/'s "w4 ,han ma9ta9s
t ! >ti/ m/ exam9e ! sickly "ps
( \r surr.d+s m* l a physician
seeks \ ! "ps t ail a pati5t2
:ile >ti/ic expres.n is
9evitably subject to ! >bitr>y
9t]preta;ns ( ! 9dividual >ti/1
he >gues1 "! m/ 2 an objective
focus on :at is happ5+ at !
pres5t mo;t4 ,! r1lism t he
describes is n a n>r[ 3cept
ref]r+ to a "picul> /yle or
tr5d1 s* z ! social r1lism ( !
#aith c5tury1 ! photographic
r1lism ( ! mid-#bjth c5tury1 or
! magic r1lism 4cuss$ 9
3tempor>y >t4 ,r1 x is a /.e on
! >ti/'s "p t guides ! view] to
9ve/igate r1l;y4 ,han's goal (
a*iev+ 8id1s & me?ods t r1lize &
rev1l :at ! pres5t resembles0 0
>ticulat$ e>ly on 9 a decl>a;n =
! gr\p exhibi;n ,hyunsangjeon
"<8,pres5t4,image0">1 : he
co-f.d$ ) ,han ,man"y 9
#aihf4"9#e

  "9#d ,han ,unsung & ,jang
,sohyun1 ,image `& ,r1l;y3 ,!
,tru? ( ,kor1n ,r1lism ,>t
"<,?aehaksa1 #bjah">1 #di4
  "9#e ,hyunsangjeon"<8,pres5t4"
,image0"> exhibi;n bro*ure
"<,kwanhoon ,museum1#aihf">4

  ,exam9+ ,han ,unsung's "w f
di6]5t ]as1 we f9d hm
delib]ately 9troduc+ *anges :ile
focus+ on "picul> subjects1
!mes1 & mat]ials1 f ! ab/ract
pa9t+s he cr1t$ 2f 8 /udies 9 !
,,us to ! hyp]r1li/ic pr9t
depic;ns ( "ey"d objects
"<9clud+ cans1 tra6ic signals1
gates1 wood5 supports1 & knots">
        j3g,]ft"na,*         #de
2t 8 ,tyl] ,s*ool ( ,>t /udies
at ,temple ,univ]s;y & ! #aihjs2
8 natural & urban l&scapes ( !
#aiijs1 : bl5d$ m$ia s* z
photography1 pa9t+1 & pr9tmak+2
8 megalographia pa9t+s & pr9t
"ws dat+ to ! late #aiijs2 8
digital pr9ts ( fruits2 & !
,digilog ,l&scape s]ies & i,pad
draw+s t he has produc$ s9ce 8
retire;t 9 #bjaa4
  ,:at we %d take note ( "h is !
way t subjects & =ms h be5
rep1t$ amid _! trans=ma;ns4 ,an
example ( ? is ! splay$ image (
a ?ree-dim5.nal object,-"o
flatt5$ l a pr9t "w t has g"o "?
! press4 ,? image has 3t9u$ to
recur 9 di6]5t =ms = ov] half a
c5tury ( ! >ti/'s c>e]1 f
,ha5yeo"<8,female ,div]10
#aifd"> dur+ 8 hi< s*ool "ds to
,squid,-produc$ 9 #aigi at a "t
:5 ,han 0 "w+ z a full-fl$g$
pr9t >ti/ foll[+ 8 return f !
,,us,-& ,old ,%ip ,hotel1
,b"ron1 ,5gl& "<#bjaa">1 : 0
cr1t$ dur+ 8 p]iod ( ,digilog
,l&scape s]ies focus+ on
sup]ficial images bas$ on mo;t>y
recollec;ns ( situa;ns4
  ,han's tra6ic signal "ws (f]
ano!r example ( h[ he has
rep1t$ly explor$ ! same subject
ov] di6]5t p]iods1 5gag+ 9 "e
deep] exam9a;ns ( 8 !me4 ,!
clo?-wrapp$ tra6ic li<t t appe>$
9 ,a ,bl ,signal "<#aigd">,-a
li?ography "w t he produc$ dur+
8 /udies 9 ! ,,us,-was a
metaphor = ! 3di;n ( 3tempor>y
society4 ,! wrapp$ li<t simil>ly
appe>s 9 a #aigi et*+1 b xs
pres5ta;n z an 8>t"w0 atop a
grid & black backdrop emphasizes
! two lay]s ( two-dim5.nal
images on ! surface 9 a way t
makes ! view] aw>e ( ! prop]ties
( ! two-dim5.nal m$ium4 ,tra6ic
li<ts wd ag appe> 9 ,han's
photographic pr9t "w 9 #aihi & 8
        j3g,]ft"na,*         #dg
acrylic & oil pa9t+s 9 ! e>ly
#aiijs2 "h1 ! act ( 8pa9t+0 !
black-&-:ite silh\ette ( a
l[-resolu;n photocopy ( a tra6ic
li<t photograph yields an
illusory e6ect ( view+ !
remnants ( an old photographic
copy "<,composi;n ) ,signals-
#bg1 #aiia">4 ,! 8image ( an
image0 rela;n%ip1 ) ! image ( !
tra6ic li<t photograph & xs
recr1;n 9 pr9t =m1 wd reappe> a
few ye>s lat] 9 ,composi;n )
,signals #idja & ,composi;n )
,signals #idjb "<bo? #aiid">4
  ,z ? demon/rates1 ,han's
>ti/ic approa* to a*iev+ a cycle
3nect+ exp]i;ta;n ) 4tanc+1
reflec;n1 & applica;n is
awe-9spir+ 9 xs sy/ematic &
logical nature4 ,small] !mes f
9dividual "ws h l+]$ z "qs to 2
explor$ 9 o!r "w ye>s lat]1 & ?
process ( 3t9ually seek+ answ]s
has l$ to a body ( "w t is z
complex & d5se z a spid]'s web4
,? is al :y x is s di6icult to
sep>ate ,han's 5tire oeuvre 9to
]as4 ,typically1 s*
classifica;ns >e bas$ on !
subjects1 !mes1 expressive
te*niques1 & /yles t ! >ti/
focus$ on at a "picul> "t4 ,9
,han ,unsung's case1 h["e1 x is
"? _! ongo+ alt]na;n & repeti;n
t ! >ti/ has exp&$ ! scope ( 8
explora;ns ( a l>g] !me,-"nly !
rev1l+ ( r1l;y "? >t4













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    #aidf
  ,born 9 ,se\l z ! "ye/ ( two
sons & two dau<t]s ( ,han
,h;g-,taik & ,kim ,ok-,bae
    #aife
  ,5t]$ ! ,de"p;t ( ,pa9t+1
,college ( ,f9e ,>ts1 ,se\l
,na;nal ,univ]s;y
    #aigj
  ,e>n$ ,,bfa 9 ,pa9t+ f ,se\l
,na;nal ,univ]s;y2 5t]$ !
,graduate ,s*ool ( ,pa9t+
    #aigb
  ,complet$ ,,mfa 9 ,pa9t+ at
,se\l ,na;nal ,univ]s;y
  ,2gan t1*+ at ,duksung ,wom5's
,univ]s;y
    #aigc
  ,select$ z ! f/ ,kor1n ,fulb"r
s*ol> 9 ! field ( f9e >ts
  ,5t]$ ! ,graduate ,s*ool (
,pr9tmak+ at ,tyl] ,s*ool ( ,>t
& ,>*itecture1 ,temple
,univ]s;y1 ,philadelphia
  ,exhibi;n ( ,pa9t+s by ,han
        j3g,]ft"na,*         #ee
,unsung 9 ,commemora;n ( ,/udy+
9 ! ,unit$ ,/ates "<,%9segae
,gall]y1 ,se\l">
    #aigd
  ,2gan ,c & ,signal s]ies
    #aige
  ,rcvd ,,mfa 9 ,pr9tmak+ f
,tyl] ,s*ool ( ,>t &
,>*itecture1 ,temple ,univ]s;y1
,philadelphia
    #aigf
  ,2gan t1*+ pr9tmak+ & draw+ at
v>i\s univ]sities 9 ,se\l
  ,jo9$ ! ,kor1n ,3tempor>y
,pr9tmak]s ,associa;n
    #aigh
  ,appo9t$ z full-"t lectur] at
,duksung ,wom5's ,univ]s;y
  ,rcvd ! ,d;g-,a ,f9e ,>t ,aw>d
at ! ,d;g-,a ,f9e ,>t ,fe/ival
  ,publi%$ ,! ,_w ( ,pr9tmak+1
,korea's f/ te*nical book on
pr9tmak+
    #aigi
  ,2gan ,gate s]ies
    #aihj
  ,f.d$ ! ,se\l ,pr9t ,club
  ,aw>$$ ! ,gr& ,prize at ! #bnd
,d;g-,a ,f9e ,>t ,fe/ival
  ,rcvd ! ,excell;e ,aw>d at !
#ast ,se\l ,9t]na;nal ,m9iature
,pr9t1 sponsor$ by ! ,space
,gr\p
    #aiha
  ,2gan t1*+ pr9tmak+ at
,college ( ,f9e ,>ts1 ,se\l
,na;nal ,univ]s;y
  ,2gan ,support+ ,wood s]ies
  ,aw>d$ ! ,gr& ,prize at ! #crd
,se\l ,9t]na;nal ,pr9t ,bi5nale
    #aihb
  ,appo9t$ full-"t faculty at
,de"p;t ( ,pa9t+1 ,college (
,f9e ,>ts1 ,se\l ,na;nal
,univ]s;y
  ,2gan ,fruit s]ies "<,fruit
,collec;n s]ies 2gan 9 ! late
#aiijs">
    #aihd
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  ,co-f.d$ ! ,d;gs$aejeon
        j3g,]ft"na,*         #eg
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>ti/ gr\p
    #aihf-#aihg
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"<8,pres5t4,image ,exhibi;n0"> &
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,$uca;n z a visit+ rese>*
pr(essor
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pr9tmak+ at ,cali=nia ,/ate
,univ]s;y1 ,l;g ,b1*
    #aiid-#aiif
  ,s]v$ z ,associate ,d1n1
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,na;nal ,univ]s;y
  ,s]v$ z ,presid5t ( ! ,kor1n
,3tempor>y ,pr9tmak]s
,associa;n2 ann\nc$ 8,(ficial
,guidel9es = ,orig9al ,pr9ts0
    #bjjc
  ,select$ = ! ,,asem-,,duo
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,univ]sit^/e ,p>is #a
,pan?^/eon-,sorbonne on ,new
,figura;n 9 ,fr.e
    #bjjf
  ,s]v$ z ,*air ( ! ,op]at+
,committee1 ,space ,9t]na;nal
,pr9t ,bi5nial ,se\l
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